Kâğıdını kendi ellerinizle yaptığınız bir deftere yazmaktan, dilediğiniz renkte ürettiğiniz bir kağıda çizmekten daha eğlenceli ne olabilir ki!

Osmanlı döneminde Kâğıt Fabrikası olarak da hizmet vermiş Beykoz Kundura’nın tarihinden yola çıkarak Qbicart tarafından kurgulanan bu atölyede çocuklar; kâğıt yapımının tekniklerini öğreniyor ve geri dönüşümlü malzemeler ile doğal renklendiricileri kullanarak kendi kâğıtlarını yaratıyorlar.

Yürütücü: Esra Nur Kerim | Yaş: 6-9 | Kontenjan: 12 kişi | Süre: 1 saat |  Malzemeler: Geri dönüşüm kâğıt malzemeleri, eski dergi, gazete, kâğıt rulolar, kartonlar, tutkal, su, elek, blender, geniş bir kap, sünger, pamuklu kumaşlar.

Qbicart Disiplinlerarası Sanat Okulu 2013'te Mezopotamya topraklarında doğan, çevrimiçi ve yüz yüze eğitimlerle dünyaya kısa zamanda yayılan ve 2017’den beri İngiltere merkezli çalışmaya da başlayan uluslararası bir sanat okuludur. Bünyesinde tüm görsel sanat disiplinlerini barındıran Qbicart; müze, felsefe, bilim gibi alanları sanatla birlikte sentezleyerek işitsel oyunlar, dramalar, sürdürülebilir geri-ileri dönüşüm temellerini kapsayan özgün atölye modelleri geliştirir ve uygular. qbicart.com

HAMLET (1921)

In this daring adaptation of William Shakespeare’s renowned play, Hamlet is portrayed as a woman, a princess who is forced to dress as a man by her conniving mother. The rest of the film is about Hamlet’s secret desire towards Horatio and her rivalry with Ophelia to win over his love.

A film from the holdings of the Deutsches Filminstitut & Filmmuseum (DFF)…

1921 / Germany / Black & White / 110’ Silent; with German intertitles and Turkish subtitles Directors: Svend Gade, Heinz Schall | Screenwriter: Erwin Gepard (adapted from William Shakespeare’s play and Edward P. Vining’s book) | Cast: Asta Nielsen, Paul Conradi, Mathilde Brandt, Eduard von Winterstein | Cinematography: Axel Graatkjær, Curt Courant | Art Directors: Svend Gade, Siegfried Wroblewsky |Costume: Hugo Baruch, Leopold Verch

Beykoz Kundura’nın 1800'lere uzanan tarihi ve zengin sosyal yaşamı, bu atölyede yeni bir bakış açısıyla ve interaktif bir yöntemle ele alınıyor. Katılımcılar canlandırmalar, oyunlar ve rol oynama teknikleri ile fabrika yaşamını adeta yeniden deneyimleyecekler. Yaratıcı Drama Atölyesi’nde katılımcılar, Fabrika’nın tarihçesi, yaşam koşulları ve sosyal yaşamı hakkında eğlenceli ve etkileşimli etkinliklerle bilgi sahibi olacaklar. Birbirinden ilginç parçalardan oluşan bir makinenin işleyişini canlandıracak, farklı rollere girerek Fabrika’daki bir günü yaşayacak ve bu deneyimlerini yaratıcı bir anı kolajında toplayacaklar.

Yürütücü: Mizgin Adar| Yaş: 18+ | Kontenjan: 16 kişi | Süre: 3 saat | Malzemeler: 4 adet karton, 16 adet kurşun kalem ve silgi, renkli kalemler ve boyalar, 4 adet yapıştırıcı, 4 adet makas, 1 adet düdük.

Mizgin Adar 2016 yılında Kocaeli Üniversitesi Radyo, Tv ve Sinema bölümünden mezun oldu. 2017 yılında Kocaeli Üniversitesi’nde pedagojik formasyonunu tamamladı. 2020 yılında Çağdaş Drama Derneği’nde Yaratıcı Drama Eğitmenliği seritifika programını bitirdi. 2021 yılında Kocaeli Üniversitesi Güzel Sanatlar Fakültesi’nde Dramatik Sanatlar Bölümü’nde yüksek lisans yaptı. Eğitmen, çocuklarla ve yetişkinlerle yaptığı atölye çalışmalarında bireysel duyarlılığı ve toplumsal farkındalığı önemsemektedir. Çalışmalarında disiplinlerarasılığa yer veren eğitmen hazırladığı yaratıcı drama atölyelerinde gündelik hayatta belki de önemsenmeyecek ayrıntılara, fark edilmeyen durumlara dikkat çekerek tersten ve yeniden bakış halini sağlamaya çalışmaktadır. 2018 yılından beri çeşitli kurumlarda drama eğitmeni olarak çalışmaktadır. Ayrıca bireysel olarak ‘Sanatsal Tabiat’ başlığı altında doğa odaklı yaratıcı drama ve stop motion atölyeleri düzenlemekte, sanat ve eğitim odaklı bir oluşum olan Tin Tin Atölyesi ile kolektif çalışmalar yapmaktadır.

NEVER ODD OR EVEͶ is a collaboration project between two choreographer duos from Turkey and Portugal. The project brings together Filiz Sızanlı and Mustafa Kaplan from Turkey and Sofia Dias and Vítor Roriz from Portugal. These two couples, who have been working almost exclusively with their partners for more than a decade, show that working together for such a long time is also a shared experience of loneliness.

Despite having different creative approaches and experiences, these two couples share the same interest in precision, minimalism, language and abstraction, with a growing interest in the interactions between spoken word, voice, movement and gesture.

In NEVER ODD OR EVEͶ, although the similarity between each duo and each body has a strong appeal, the choreographers are also interested in what differentiates them and how to emphasize these differences in search for a distortion.

But there's still much to do with the collective energy of the quartet so that each one of these duos dislocates itself to “unknown” territory...

NEVER ODD OR EVEͶ

In Turkish and English with surtitles
70mins
Co-direction and performance: Filiz Sızanlı and Mustafa Kaplan, Sofia Dias and Vítor Roriz
Light design and technical Direction: Cárin Geada
Set and costumes design: Ângela Rocha 
Sound: Sofia Dias
Administration and Distribution: Vítor Alves Brotas
Production: Agência 25 
Co-production: Théâtre de la Ville, São Luiz Teatro Municipal, Alkantara Festival, La Briqueterie, Teatro Viriato, CCN Nantes, Teatro Municipal do Porto /Festival DDD – Festival Dias da Dança
Support: Fundação Calouste Gulbenkian, Casa-Atelier – Fundação Arpad Szenes – Vieira da Silva, Câmara Municipal de Lisboa, Polo Cultural Gaivotas | Boavista
Thanks to: Leonor Carpinteiro

MUSTAFA KAPLAN & FİLİZ SIZANLI / TALDANS

Taldans was founded in 2003 by Mustafa Kaplan and Filiz Sızanlı. Kaplan and Sızanlı's productions are directly related to their academic backgrounds in engineering and architecture. In their choreographies, they explore the relationship of the body with space and mathematics, and deal with scores and series in the relationship between play and performance in cultural and public spaces. Taldans, who uses the concepts of "Energy Dramaturgy", “Unstable Balance", "Play and Improvisation" in their research, has focused on the choreographic reflection of memory and images in the space and sound pattern of the body in its recent works. Istanbul-based Taldans exhibits its repertoire works at national and international festivals, collaborates with artists from different countries, and also develops its own individual projects. In addition to all the performances they produce, the duo organizes dance/movement classes, workshops and artist meetings. Kaplan and Sızanlı created many independent and collaborative projects including but not limited to Dolap (2000), Sek Sek (2002), Solum (2004), Graf (2006), Dokuman (2009), iP/Site (2011), Eskiyeni (2012), We Need to Move Urgently (2014), Taldans Talks About Taldans (2014), 600 Steps (2015), Victory Over the Sun (2017), Ritual for a Sensitive Geography / in collaboration with Julie Nioche (2018), DO KU MAN / remake (2018), Less Than No time (2020), Audio Choreography (2021), NEVERODDOREVEИ / in collaboration with Sofia Dias & Vítor Roriz (2022).

SOFIA DIAS & VÍTOR RORIZ

Sofia Dias & Vítor Roriz are a duo of artists/choreographers collaborating since 2006. The hybrid nature of their research, connected to a strong curiosity and need for experimentation, led them to create several shows, performances, videos, podcasts and installations, crossing different contexts and blurring limits between artistic fields. Their performances conceived for stage, mainly performed by the duo, summon up a particular choreographic language in relation to text and voice and have been presented in over 17 countries. In 2011 they were awarded the Prix Jardin d'Europe for "A gesture that is nothing but a threat". They have been invited to collaborate with different artists such as Catarina Dias, Marco Martins, Clara Andermatt, Mark Tompkins, Felipe Hirsch, Boris Charmatz and more regularly with Tiago Rodrigues. They teach workshops and classes and have been organizing residencies and reflection groups for artists in different contexts. They were invited to make the curatorship for PACAP 2 (2018/2019) and PACAP 6 (2023) - Advanced Program of Creation in Performing Arts, at Fórum Dança, Lisbon. Between 2023 and 2024 they are resident artists at Fundação Champalimaud.

NEVER ODD OR EVEͶ is a collaboration project between two choreographer duos from Turkey and Portugal. The project brings together Filiz Sızanlı and Mustafa Kaplan from Turkey and Sofia Dias and Vítor Roriz from Portugal. These two couples, who have been working almost exclusively with their partners for more than a decade, show that working together for such a long time is also a shared experience of loneliness.

Despite having different creative approaches and experiences, these two couples share the same interest in precision, minimalism, language and abstraction, with a growing interest in the interactions between spoken word, voice, movement and gesture.

In NEVER ODD OR EVEͶ, although the similarity between each duo and each body has a strong appeal, the choreographers are also interested in what differentiates them and how to emphasize these differences in search for a distortion.

But there's still much to do with the collective energy of the quartet so that each one of these duos dislocates itself to “unknown” territory...

NEVER ODD OR EVEͶ

In Turkish and English with surtitles
70mins
Co-direction and performance: Filiz Sızanlı and Mustafa Kaplan, Sofia Dias and Vítor Roriz
Light design and technical Direction: Cárin Geada
Set and costumes design: Ângela Rocha 
Sound: Sofia Dias
Administration and Distribution: Vítor Alves Brotas
Production: Agência 25 
Co-production: Théâtre de la Ville, São Luiz Teatro Municipal, Alkantara Festival, La Briqueterie, Teatro Viriato, CCN Nantes, Teatro Municipal do Porto /Festival DDD – Festival Dias da Dança
Support: Fundação Calouste Gulbenkian, Casa-Atelier – Fundação Arpad Szenes – Vieira da Silva, Câmara Municipal de Lisboa, Polo Cultural Gaivotas | Boavista
Thanks to: Leonor Carpinteiro

MUSTAFA KAPLAN & FİLİZ SIZANLI / TALDANS

Taldans was founded in 2003 by Mustafa Kaplan and Filiz Sızanlı. Kaplan and Sızanlı's productions are directly related to their academic backgrounds in engineering and architecture. In their choreographies, they explore the relationship of the body with space and mathematics, and deal with scores and series in the relationship between play and performance in cultural and public spaces. Taldans, who uses the concepts of "Energy Dramaturgy", “Unstable Balance", "Play and Improvisation" in their research, has focused on the choreographic reflection of memory and images in the space and sound pattern of the body in its recent works. Istanbul-based Taldans exhibits its repertoire works at national and international festivals, collaborates with artists from different countries, and also develops its own individual projects. In addition to all the performances they produce, the duo organizes dance/movement classes, workshops and artist meetings. Kaplan and Sızanlı created many independent and collaborative projects including but not limited to Dolap (2000), Sek Sek (2002), Solum (2004), Graf (2006), Dokuman (2009), iP/Site (2011), Eskiyeni (2012), We Need to Move Urgently (2014), Taldans Talks About Taldans (2014), 600 Steps (2015), Victory Over the Sun (2017), Ritual for a Sensitive Geography / in collaboration with Julie Nioche (2018), DO KU MAN / remake (2018), Less Than No time (2020), Audio Choreography (2021), NEVERODDOREVEИ / in collaboration with Sofia Dias & Vítor Roriz (2022).

SOFIA DIAS & VÍTOR RORIZ

Sofia Dias & Vítor Roriz are a duo of artists/choreographers collaborating since 2006. The hybrid nature of their research, connected to a strong curiosity and need for experimentation, led them to create several shows, performances, videos, podcasts and installations, crossing different contexts and blurring limits between artistic fields. Their performances conceived for stage, mainly performed by the duo, summon up a particular choreographic language in relation to text and voice and have been presented in over 17 countries. In 2011 they were awarded the Prix Jardin d'Europe for "A gesture that is nothing but a threat". They have been invited to collaborate with different artists such as Catarina Dias, Marco Martins, Clara Andermatt, Mark Tompkins, Felipe Hirsch, Boris Charmatz and more regularly with Tiago Rodrigues. They teach workshops and classes and have been organizing residencies and reflection groups for artists in different contexts. They were invited to make the curatorship for PACAP 2 (2018/2019) and PACAP 6 (2023) - Advanced Program of Creation in Performing Arts, at Fórum Dança, Lisbon. Between 2023 and 2024 they are resident artists at Fundação Champalimaud.

Kundura Hafıza arşivinde yer alan fotoğrafların eşliğinde Fabrika’daki geçmiş yaşamın izlerini sürüyor ve seçtiğimiz bir anıyı kendi tasarımımız olan bir fotoğraf karesinde yeniden canlandırıyoruz.

Yürütücü: Esra Nur Kerim | Yaş: 6-12 | Kontenjan: 12 kişi | Süre: 1 saat | Malzemeler: Karton kutular, renkli kağıtlar, boya malzemeleri, makas, yapıştırıcılar. 

Qbicart Disiplinlerarası Sanat Okulu  2013'te Mezopotamya topraklarında doğan, çevrimiçi ve yüz yüze eğitimlerle dünyaya kısa zamanda yayılan ve 2017’den beri İngiltere merkezli çalışmaya da başlayan uluslararası bir sanat okuludur. Bünyesinde tüm görsel sanat disiplinlerini barındıran Qbicart; müze, felsefe, bilim gibi alanları sanatla birlikte sentezleyerek işitsel oyunlar, dramalar, sürdürülebilir geri-ileri dönüşüm temellerini kapsayan özgün atölye modelleri geliştirir ve uygular. qbicart.com

ZAPATA’S GANG
While Zapata’s gang plunders the villages of North Italy, a German film crew wanting to shoot a heist film in Italy, has all sorts of misfortune in a country whose language they don’t speak a word of. After having their clothes stolen by the real gang during filming, the actors lose their way and instil fear in each village they visit because of their costumes. Meanwhile, a young woman named Elena falls in love with an actor whom she mistakes for a Zapata and runs away from home

A film from the holdings of the Friedrich-Wilhelm-Murnau-Stiftung in Wiesbaden.

THE ABC OF LOVE
One of the most well-known examples of Asta Nielsen’s performative and layered acting, “The ABC of Love” tells the adventures of a young woman who dresses up as a man and steps into the Parisian nightlife with the hopes of turning her fiancé into the man of her dreams.

A film from the holdings of the Danish Film Institute (DFI)

The ABC of Love / Das Liebes ABC
1916 / Germany / Black & White / 43’ Silent; with English intertitles and Turkish subtitles Director: Magnus Stifter | Screenwriters: Martin Jørgensen, Louis Levy | Cast: Asta Nielsen, Magnus Stifter, Ludwig Trautmann | Cinematography: Carl Ferdinand Fischer

Zapata’s Gang / Zapatas Bande
1914 / Germany / Black & White / 20’ Silent; with German intertitles and Turkish subtitles Director: Urban Gad | Screenwriter: Urban Gad | Cast: Asta Nielsen, Fred Immler, Senta Eichstaedt | Cinematography: Karl Freund, Axel Graatkjær, Guido Seeber | Art Director: Fritz Seyffert

Hafızamızı biraz zorlasak, sinemaya giderken geçtiğimiz yolları, sinema salonunun kokusunu, film izlerken hissettiklerimizi, filmden çıktıktan sonraki duygumuzu hatırlayabilir miyiz? Sinema, kolektif bellekte önemli bir yere sahiptir. Film izleme deneyimimizden ve sinema salonuna yolculuğumuzdan hatırladıklarımız ise en az izlediğimiz filmin kendisi kadar önemlidir. Bu atölye, bir zamanlar aileleri ve arkadaşlarıyla birlikte Kundura Fabrikası’na gelip film izleyen çocukların anılarından yola çıkarak tasarlandı. Atölyede çocuklar, aileleriyle birlikte izledikleri ilk filmi, filmdeki karakterleri, o günden zihinlerinde kalan renkleri, duyguları ve imgeleri geri çağırarak bir hafıza afişi tasarlayacaklar.

Yürütücü: Dilan Salkaya | Yaş: 4-6| Kontenjan: 8 çocuk + 8 yetişkin | Süre: 1 saat | Malzemeler: Beyaz karton, kurşun kalem, silgi, suluboya, fırçalar, sünger, pastel boya, atık gazete ve dergiler, sıvı ve stick yapıştırıcı, makas.

Dilan Salkaya Marmara Üniversitesi Güzel Sanatlar Fakültesi Sinema Bölümü’nde lisansını tamamladı. Yüksek lisans eğitimine İstanbul Üniversitesi’nde Yeni Medya ve Çocuk alanında devam etti. Sinema üzerine yazıları, makaleleri, söyleşileri, öyküleri ve kurmaca metinleri basılı ve çevrimiçi mecralarda yayımlandı. Çeşitli sinema platformlarının editoryal süreçlerinde yer aldı. Üç yıl boyunca farklı okullarda çocuklarla birlikte sinema ve kurmaca anlatı odaklı atölyeler yürüttü. Eylül 2019'dan bu yana Arter'in Öğrenme Programı ekibinde yer alan Dilan Salkaya, Öğrenme Programı Sorumlusu olarak görevini sürdürürken, sinema pedagojisi üzerine doktora çalışmasına ve bağımsız projelerine devam ediyor.

THE ABYSS
Magda Vang, a music teacher, is engaged to a vicar’s son named Knud. One day, she falls in love with Rudolph, the star of the circus that has recently arrived in town, and leaves everything behind to go after him. Soon betrayed and heartbroken, the young woman will perform her final dance to prove her love.One of Denmark’s oldest erotic melodramas, “The Abyss” features a hypnotic performance by Asta Nielsen and the enticing “gaucho dance” sequence which was censored in its day, and it is one of the earliest treasures of cinema
A film from the holdings of the Danish Film Institute DFI.

THE BLACK DREAM
A famously beautiful circus acrobat Stella has two suitors: Young and handsome Count Waldberg and old and clumsy jeweler Hirsch. When Stella prefers Waldberg over Hirsch, he gets mad and makes the Count extremely indebted after challenging him to a gambling duel. Set on saving her lover’s honor, Stella plans a dangerous game.
A film from the holdings of the Danish Film Institute DFI.

The Black Dream / Den sorte Drøm
1911 / Denmark / Black & White / 53’ Silent; with English intertitles and Turkish subtitles Director: Urban Gad | Screenwriter: Urban Gad | Cast: Asta Nielsen, Valdemar Psilander, Gunnar Helsengreen, Ellen Holm | Cinematography: Adam Johansen | Production Design: Emil Poulsen

The Abyss / Afgrunden
1910 / Denmark / Black & White / 38’ Silent; with English intertitles and Turkish subtitles Director: Urban Gad | Screenwriter: Urban Gad | Cast: Asta Nielsen, Robert Dinesen, Poul Reumert, Emilie Sannom | Cinematography: Alfred Lind | Choreography: Anna Jeannette Tardini

The Film Primadonna
Ruth Breton, a film star dedicated to her art, is quick to fall in love. A lot. When Ruth falls in love with a gambler named Von Zornhorst while she is still together with the director Walter, she will pay a heavy price for her choice. Originally, 1429 meters long, but of which only 278 meters remaining today, this 1913 film still manages to mesmerize with the surviving 17-minute piece.
A film from the holdings of the Friedrich-Wilhelm-Murnau-Stiftung in Wiesbaden.

The Decline (Downfall)
Kaja Falk is a variety star at the peak of her career. Her lover Peter, a young fisherman, claims responsibility for a murder Kaja committed and is sentenced to ten years in prison. Touched by this gesture, Kaja promises to be faithful to her love and wait for him. However, the years won’t be easy on Katja.
A film from the holdings of the EYE Film Musem.

The Decline (Downfall) / Der Absturz
1923 / Germany / Black & White / 84’ Silent; with German intertitles and Turkish subtitles Director: Ludwig Wolff | Screenwriter: Ludwig Wolff | Cast: Asta Nielsen, Albert Bozenhard, Gregori Chmara, Adele Sandrock | Cinematography: Axel Graatkjær, George Krause | Production Design: Fritz Seyffert, Heinz Beisenherz

The Film Primadonna / Die Film-Primadonna
1913 / Germany / Black & White / 17’ Silent; with English intertitles and Turkish subtitles Director: Urban Gad | Screenwriter: Urban Gad | Cast: Asta Nielsen, Paul Otto, Fritz Weidemann, Fred Immler | Cinematography: Axel Graatkjær, Karl Freund | Production Design: Fritz Seyffert