Dr. No

1962 / UNITED KINGDOM / Color / 110’

Director: Terence Young| Screenplay: Richard Maibaum, Johanna Harwood, Berkely Mather (based on Ian Fleming’s book) | Cast: Sean Connery, Ursula Andress, Joseph Wiseman | Cinematography: Ted Moore| Edited by: Peter R. Hunt | Music: Monty Norman
Awards: Golden Globe Award for New Star of the Year – Actress (Ursula Andress), 1964

James Bond travels to Jamaica to investigate the disappearance of a British agent and he discovers a local crime group. Dr. No is the head of this organization that conspires to shoot down the missile that America will launch into space with energy waves, and Bond's mission is to stop him. In addition to starting the Bond series, “Dr No” also introduces us to the terrorist organization SPECTRE, which will be humanity’s worst enemy in the sequels. Sean Connery stars as James Bond in the film and Ursula Andress, one of the most famous "Bond girls", plays Honey Ryder.

Sümerbank Deri ve Kundura Fabrikası’nda üretilmiş ayakkabı modellerinden ilhâm alarak tasarlanan bu atölye, bir ayakkabının üretim aşamalarına ve bu süreçte fabrika içinde yaşananlara odaklanıyor. Hep birlikte fabrikada bir tasarımcı olacak ve kendi ayakkabılarımızı yaratacağız.

Eğitmen: Gizem Ulufer
Yaş: 6-9
Kontenjan: 10
Malzemeler: Renkli kartonlar, makas, renkli ipler, beyaz kâğıt, keçeli kalemler.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

From Russia with Love

1963 / UNITED KINGDOM / Color / 115’
English; with Turkish subtitles

Director: Terence Young| Screenplay: Richard Maibaum, Johanna Harwood (based on Ian Fleming’s book) | Cast: Sean Connery, Daniela Bianchi, Pedro Armendáriz, Lotte Lenya, Robert Shaw, Bernard Lee | Cinematography: Ted Moore| Edited by: Peter R. Hunt | Music: John Barry
Awards: British Society of Cinematographers award for Best Cinematography, 1963 | BAFTA Award for Best Cinematography, 1963

James Bond is sent to Istanbul to retrieve a Soviet encryption device stolen by SPECTRE. While trying to prevent a violent assassination plot with a woman named Tatiana Romanova, our hero also tries to avoid being the target of the vicious assassin Donald 'Red' Grant. “From Russia with Love”, which was also the first James Bond film shot in Turkey, takes the audience on a gripping tour in 1960’s Istanbul, stopping by landmarks such as the Grand Bazaar, Sultanahmet, Basilica Cistern and Hagia Sophia. Bond even goes to the Sirkeci Station where he gets on the Orient Express, which served between Paris and Istanbul between 1883 and 1977. Sean Connery once again plays Bond and Robert Shaw, whom we may recognize from “Jaws”, plays the villain of the film.

Goldfinger

1964 / UNITED KINGDOM / Color / 110’
English; with Turkish subtitles

Director: Guy Hamilton | Screenplay: Richard Maibaum, Paul Dehn (based on Ian Fleming’s book) | Cast: Sean Connery, Gert Fröbe, Honor Blackman | Cinematography: Ted Moore| Edited by: Peter R. Hunt | Music: John Barry
Awards: Academy Award (Oscar) for Best Sound Effects Editing (Norman Wanstall), 1965 | Laurel Award for Best Action Drama, Best Action Performance (Sean Connery), 1965

Bond's new mission is to stop the international jewelry smuggler and gold trader Goldfinger. Planning to carry out a nuclear attack on the USA's gold depository Fort Knox, Goldfinger aims to collapse the world economy with his butler with a lethal hat. While trying to learn the details of this scheme, Bond also uses his own gadgets against Korean bad guys who turn everything they touch into gold. “Goldfinger”, which practically wrote the formula for the subsequent Bond films and introduced the term "Bond Girl" into film lingo, is a classic with a Grammy-nominated theme song.

Thunderball

1965 / UNITED KINGDOM / Color / 130’
English; with Turkish subtitles

Director: Terence Young | Screenplay: Richard Maibaum, John Hopkins (based on Ian Fleming’s book) | Cast: Sean Connery, Claudine Auger, Adolfo Celi, Luciana Paluzzi, Molly Peters | Cinematography: Ted Moore | Edited by: Ernest Hosler | Music: John Barry
Awards: Academy Award (Oscar) for Best Visual Effects (John Stears), 1965 | Laurel Awards for Best Action Drama, Best Action Performance (Sean Connery), 1966

James Bond travels to the Bahamas to recover two nuclear warheads stolen by SPECTRE and tries to prevent an international extortion plan with agent Emilio Largo. Filmed with a budget higher than the sum of the first three Bond films, "Thunderball" offers an adrenaline-fueled adventure with exciting underwater scenes.

Beykoz Kundura’daki tarihi binalardan ilhâmla yaratılan bu atölyede, hayalimizdeki fabrikayı tasarlıyoruz. Binaların da hafızası olduğu ve geçmişi hatırladıkları bilgisini de unutmayan atölyede, fabrikamızı tasarlarken içinde üretmek istediğimiz ürünlerden de bolca yararlanacağız.

Eğitmen: Gizem Ulufer

Yaş: 6-9

Kontenjan: 10

Malzemeler: 35x50 kâğıt, sulu boya, su kabı, fırça, kurşun kalem.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

You Only Live Twice

1967 / UNITED KINGDOM / Color / 117’
English; with Turkish subtitles

Director: Lewis Gilbert | Screenplay: Roald Dahl (based on Ian Fleming’s book) | Cast: Sean Connery, Akiko Wakabayashi, Mie Hama | Cinematography: Freddie Young | Edited by: Thelma Connell | Music: John Barry

In the 5th film of the series, James Bond strives to prevent a nuclear war sparked by the hijacking of American and Soviet space capsules from Earth's orbit. Following the trail of clues to Tokyo, Bond joins forces with the Japanese Secret Service and learns that SPECTRE and its evil leader Ernst Stavro Blofeld are behind this. Written by Roald Dahl, who also penned "Charlie and the Chocolate Factory", the film offers a thrilling and fun adventure that stretches from the void of space to the heart of a volcano.

ON HER MAJESTY'S SECRET SERVICE

1969 / UNITED KINGDOM / Color / 143’
English; with Turkish subtitles

Director: Peter R. Hunt | Screenplay: Simon Raven, Richard Maibaum (based on Ian Fleming’s book) | Cast: George Lazenby, Diana Rigg, Telly Savalas, Gabriele Ferzetti, Bernard Lee | Cinematography: Michael Reed | Editor: John Glen| Music: John Barry

Bond's nemesis, Ernst Blofeld, has developed a virus that will wipe out all life and plans to spread it among young women who visit the Swiss Alps for allergy treatment.
Once again it is up to Bond to save the future of civilization, while the life of Tracy, the daughter of the crime syndicate’s head Draco, -who will also go on to become Bond’s first and only wife- is in his hands. With Australian model George Lazenby playing Bond in this installation, “On Her Majesty’s Secret Service” is a classic with Telly Savalas’ terrifying performance as Blofeld and Louis Armstrong's song "We Have All the Time in the World".

Rocks, as non-living things, may function as models for a different kind of resistance. They may shed critical light on the current hegemonic rhetoric of life -and the living- ingrained in concepts central to our political and economic present, such as growth, progress, development, etc. This is a sort of bio-normativism: LIFE as a norm that exerts its specific forms of oppression and exploitation.
Working with pieces of eroded narratives, compressed into each other like layers of sedimented materials, the team of “How to Turn to Stone” is working to construct a mineral play, that tells us something of what we can find written in stones, and what of stones we can find written in us. Bits of eroded stories, are treated as landscapes, to be piled onto each other by means of looping and sound landscaping, as geological layers of rock, forming a rough... something.


Director and Dramaturg Manuela Infante
Cast Marcela Salinas, Aliocha de la Sotta, Rodrigo Pérez
Design Rocio Hernández
Visuals Pablo Mois
Production Carmina Infante
Production Assistant María José Duran
Sound Design Manuela Infante
With music by Valentina Villarroel, Eliane Radigue, Pauline Oliveros, Kali Malone, Marcos Meza & Senyawa
Visuals Design and Light-sound programming Alex Waghorn
Choreography Diana Carvajal
Sound Operator Diego Betancourt e Isabel Zúñiga
Sound Techincal Design Gonzalo Rodriguez
Technical Manager Julio Escobar
Research and Dramaturgist Camila Valladares

This project was, in part, developed in residence at the Kyoto Experiment Festival and Kyoto Arts Center.
Co-produced by Matucana 100 Cultural Center, Teatro a Mil Foundation, NAVE and Valparaíso Cultural Park. With the collaboration of DIRAC, Dirección de Asuntos Culturales. Ministry of Foreign Affairs of Chile

Rocks, as non-living things, may function as models for a different kind of resistance. They may shed critical light on the current hegemonic rhetoric of life -and the living- ingrained in concepts central to our political and economic present, such as growth, progress, development, etc. This is a sort of bio-normativism: LIFE as a norm that exerts its specific forms of oppression and exploitation.
Working with pieces of eroded narratives, compressed into each other like layers of sedimented materials, the team of “How to Turn to Stone” is working to construct a mineral play, that tells us something of what we can find written in stones, and what of stones we can find written in us. Bits of eroded stories, are treated as landscapes, to be piled onto each other by means of looping and sound landscaping, as geological layers of rock, forming a rough... something.


Director and Dramaturg Manuela Infante
Cast Marcela Salinas, Aliocha de la Sotta, Rodrigo Pérez
Design Rocio Hernández
Visuals Pablo Mois
Production Carmina Infante
Production Assistant María José Duran
Sound Design Manuela Infante
With music by Valentina Villarroel, Eliane Radigue, Pauline Oliveros, Kali Malone, Marcos Meza & Senyawa
Visuals Design and Light-sound programming Alex Waghorn
Choreography Diana Carvajal
Sound Operator Diego Betancourt e Isabel Zúñiga
Sound Techincal Design Gonzalo Rodriguez
Technical Manager Julio Escobar
Research and Dramaturgist Camila Valladares

This project was, in part, developed in residence at the Kyoto Experiment Festival and Kyoto Arts Center.
Co-produced by Matucana 100 Cultural Center, Teatro a Mil Foundation, NAVE and Valparaíso Cultural Park. With the collaboration of DIRAC, Dirección de Asuntos Culturales. Ministry of Foreign Affairs of Chile

Sümerbank Deri ve Kundura Fabrikası’nın çalışanları ve ailelerinin sözlü tarih kayıtlarından ilhâmla yaratılan bu atölyede, kocaman bavulların üzerine ailelerimizi ve anılarımızı çizecek ve kendi tarihimizi renklerle ve resimlerle anlatacağız.

Eğitmen: Gizem Ulufer
Yaş: 6-9
Kontenjan: 10
Malzemeler: Renkli kartonlar, renkli ipler, yapıştırıcı, makas, kalemler.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

Rocks, as non-living things, may function as models for a different kind of resistance. They may shed critical light on the current hegemonic rhetoric of life -and the living- ingrained in concepts central to our political and economic present, such as growth, progress, development, etc. This is a sort of bio-normativism: LIFE as a norm that exerts its specific forms of oppression and exploitation.
Working with pieces of eroded narratives, compressed into each other like layers of sedimented materials, the team of “How to Turn to Stone” is working to construct a mineral play, that tells us something of what we can find written in stones, and what of stones we can find written in us. Bits of eroded stories, are treated as landscapes, to be piled onto each other by means of looping and sound landscaping, as geological layers of rock, forming a rough... something.


Director and Dramaturg Manuela Infante
Cast Marcela Salinas, Aliocha de la Sotta, Rodrigo Pérez
Design Rocio Hernández
Visuals Pablo Mois
Production Carmina Infante
Production Assistant María José Duran
Sound Design Manuela Infante
With music by Valentina Villarroel, Eliane Radigue, Pauline Oliveros, Kali Malone, Marcos Meza & Senyawa
Visuals Design and Light-sound programming Alex Waghorn
Choreography Diana Carvajal
Sound Operator Diego Betancourt e Isabel Zúñiga
Sound Techincal Design Gonzalo Rodriguez
Technical Manager Julio Escobar
Research and Dramaturgist Camila Valladares

This project was, in part, developed in residence at the Kyoto Experiment Festival and Kyoto Arts Center.
Co-produced by Matucana 100 Cultural Center, Teatro a Mil Foundation, NAVE and Valparaíso Cultural Park. With the collaboration of DIRAC, Dirección de Asuntos Culturales. Ministry of Foreign Affairs of Chile

Bu atölyede, Kundura Hafıza’nın sergisinde gördüğümüz Ayakkabı, dikiş makinası, cüzdan, ayakkabı taşınan kutular gibi, Kundura Hafıza’nın sergisinde gördüğümüz farklı formdaki nesnelerden 5 tanesini seçiyor ve seramik çamurlarını kullanarak bu formları 3 boyutlu hale getirip birleştiriyoruz. Sonunda hepimiz, hayal gücünü zorlayan, soyut ayakkabı heykellerimize kavuşuyoruz.

Eğitmen: Gizem Ulufer

Yaş: 6-9

Kontenjan: 10

Malzemeler: Seramik çamuru, su, kürdan.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

DIAMONDS ARE FOREVER

1971 / UNITED KINGDOM / Color / 119’
English-German; with Turkish subtitles

Director: Guy Hamilton | Screenplay: Richard Maibaum, Tom Mankiewicz (based on Ian Fleming’s book) | Cast: Sean Connery, Jill St. John, Charles Gray, Charles Gray, Lana Wood, Jimmy Dean | Cinematography: Ted Moore | Editor: Bert Bates | Music: John Barry
Awards: Golden Screen Award, 1973

The British Government takes action when high-value rough diamonds disappear in transit. Upon traveling to Las Vegas to solve the mystery, James Bond uncovers it is SPECTRE that is behind it. Dying to get revenge on the man who killed his wife Tracy, Bond tries to stop Blofeld who is developing a deadly laser weapon using diamonds. Sean Connery once again and for the final time takes on the mantle of Bond in this high-tension film, where Bond’s archenemy Blofeld is played by talented actor Charles Gray this time around with his legendary portrayal of the character.

Anıları nasıl kaydederiz sorusunun peşine düşecek atölye, Kundura Hafıza’nın sergisinde gördüğümüz fotoğrafları ve onların bizde uyandırdığı duyguları konuşacağız. Ardından kendi fotoğraf makinamızı tasarlayacak ve sergiden hafızamızda kalan görüntüleri çizerek kendi fotoğraflarımızı yaratacağız.

Eğitmen: Gizem Ulufer

Yaş: 6-9

Kontenjan: 10

Malzemeler: Renkli kartonlar, tuvalet kağıdı rulosu, yapıştırıcı, beyaz kağıt, siyah keçeli kalem.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

LIVE AND LET DIE

1973 / UNITED KINGDOM / Color / 121’
English-German; with Turkish subtitles

Director: Guy Hamilton | Screenplay: Tom Mankiewicz (based on Ian Fleming’s book) | Cast: Roger Moore, Yaphet Kotto, Jane Seymour | Cinematography: Ted Moore | Editor: Bert Bates | Music: George Martin
Awards: Golden Screen Award, 1974

A group of British agents investigating an international drug network in New York are mysteriously murdered. Assigned to shed light on these murders, Bond embarks on a dangerous journey that takes him from the jazz clubs of Harlem all the way to the Caribbean. “Live and Let Die” sees Roger Moore’s debut that would span five films as one of the best Bond actors after Sean Connery, and also introduces us to one of the iconic villains of the series, Baron Samedi. Composed specially for the film by Paul and Linda McCartney and nominated for Grammy and Oscar awards, "Live and Let Die" continues to be one of the most popular Bond songs.

THE MAN WITH THE GOLDEN GUN

1974 / UNITED KINGDOM / Color / 125’
English-Thai-Cantonese; with Turkish subtitles

Director: Guy Hamilton | Screenplay: Richard Maibaum, Tom Mankiewicz (based on Ian Fleming’s book) | Cast: Roger Moore, Christopher Lee, Britt Ekland, Maud Adams | Cinematography: Ted Moore, Oswald Morris | Editor: Raymond Poulton, John Shirley | Music: John Barry
Awards: Golden Screen Award, 1977

A golden bullet with "007" carved on it is sent to the British Secret Service. The message is clear: Scaramanga, who has become the most expensive assassin in the world by charging a million dollar per job, has Bond as his new target. Trying to stay out of his range, our hero sets out on an adventure from Hong Kong to Thailand to retrieve a secret device that turns solar energy into a weapon. Christopher Lee, the unforgettable 'Dracula' and 'Saruman' of the big screen, plays Scaramanga, one of the most charismatic villains of the series while Hervé Villechaize gives another legendary performance as his annoying butler, Nick Nack.

THE SPY WHO LOVED ME

1977 / UNITED KINGDOM / Color / 125’
English-Italian-Arabic; with Turkish subtitles

Director: Lewis Gilbert | Screenplay: Christopher Wood, Richard Maibaum (based on Ian Fleming’s book) | Cast: Roger Moore, Barbara Bach, Richard Kiel, Caroline Munro, Curd Jürgens | Cinematography: Claude Renoir | Editor: John Glen | Music: Marvin Hamlisch
Awards: Golden Screen Award, 1980

A Royal Navy ballistic-missile submarine disappears while on patrol. Tensions rise when a Russian submarine is stolen shortly after and the two countries come to the brink of a nuclear war. It is up to James Bond to shed light on the events and restore the world peace. Embarking on adventures with KGB agent Anya Amasova, Bond must locate the missing submarine before the warheads are fired. The 10th film in the series, “The Spy Who Loved Me” introduces the metal-toothed butler Jaws, one of the iconic villains, to the audience and Bond for the first time.

MOONRAKER

1979 / UNITED KINGDOM-FRANCE / Color / 126’
English-Italian-Portuguese; with Turkish subtitles

Director: Lewis Gilbert | Screenplay: Christopher Wood (based on Ian Fleming’s book) Cast: Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel | Cinematography: Jean Tournier | Editor: John Glen | Music: John Barry

Sir Hugo Drax, a billionaire with Nazi connections, is building a giant spaceport in outer space. His goal is to build a community of healthy, beautiful, white men and women there, destroying the world with a nuclear missile and creating a new race with those left alive. It's up to James Bond to stop this outrageous plan. American agent Holly Goodhead accompanies him on this challenging mission while he crosses paths with one of his notorious enemies, Jaws, for the second time. The last film in the series to feature Bernard Lee as M., “Moonraker” drew great attention in the world upon release and continued to be the highest-grossing Bond movie until 1995’s “GoldenEye”.

Sümerbank’ın ünlü afişlerinden ilhâmla hazırlanan bu atölyede; İhap Hulisi, Hayrettin Çizer gibi Türkiye grafik sanatının usta isimlerinin elinden çıkma afişlere yakından bakacak ve kullanılan kolaj tekniğinden de faydalanarak kendi afişlerimizi tasarlayacağız.

Eğitmen: Gizem Ulufer

Yaş: 6-9

Kontenjan: 10

Malzemeler:35x50 kâğıt, eski afiş parçaları, makas, yapıştırıcı, akrilik boya, fırça, su.

Biletinizi satın almadan önce "Etkinlik Notları" bölümünü okumayı unutmayınız.

Dr. No

1962 / UNITED KINGDOM / Color / 110’

Director: Terence Young| Screenplay: Richard Maibaum, Johanna Harwood, Berkely Mather (based on Ian Fleming’s book) | Cast: Sean Connery, Ursula Andress, Joseph Wiseman | Cinematography: Ted Moore| Edited by: Peter R. Hunt | Music: Monty Norman
Awards: Golden Globe Award for New Star of the Year – Actress (Ursula Andress), 1964

James Bond travels to Jamaica to investigate the disappearance of a British agent and he discovers a local crime group. Dr. No is the head of this organization that conspires to shoot down the missile that America will launch into space with energy waves, and Bond's mission is to stop him. In addition to starting the Bond series, “Dr No” also introduces us to the terrorist organization SPECTRE, which will be humanity’s worst enemy in the sequels. Sean Connery stars as James Bond in the film and Ursula Andress, one of the most famous "Bond girls", plays Honey Ryder.

From Russia with Love

1963 / UNITED KINGDOM / Color / 115’
English; with Turkish subtitles

Director: Terence Young| Screenplay: Richard Maibaum, Johanna Harwood (based on Ian Fleming’s book) | Cast: Sean Connery, Daniela Bianchi, Pedro Armendáriz, Lotte Lenya, Robert Shaw, Bernard Lee | Cinematography: Ted Moore| Edited by: Peter R. Hunt | Music: John Barry
Awards: British Society of Cinematographers award for Best Cinematography, 1963 | BAFTA Award for Best Cinematography, 1963

James Bond is sent to Istanbul to retrieve a Soviet encryption device stolen by SPECTRE. While trying to prevent a violent assassination plot with a woman named Tatiana Romanova, our hero also tries to avoid being the target of the vicious assassin Donald 'Red' Grant. “From Russia with Love”, which was also the first James Bond film shot in Turkey, takes the audience on a gripping tour in 1960’s Istanbul, stopping by landmarks such as the Grand Bazaar, Sultanahmet, Basilica Cistern and Hagia Sophia. Bond even goes to the Sirkeci Station where he gets on the Orient Express, which served between Paris and Istanbul between 1883 and 1977. Sean Connery once again plays Bond and Robert Shaw, whom we may recognize from “Jaws”, plays the villain of the film.