Housed in the Marangozhane (Carpentry Workshop) building, where wooden equipment was produced during the factory years, the exhibition looks at the factory not only as a production facility that operated until 1999 but as a space of encounter where multiple connections were formed, and aims to diversify knowledge of the period and to share local wisdom in order to generate future-oriented models and collaborations.

Kundura’s Memory: A World Fit into a Factory is less the “end product” of archival work than a starting point that proposes viewing the facility and the archive as a potential tool for producing alternative knowledge. Inspired by the emotional bond between the workers and the factory, the exhibition narrative focuses on the organic connection between Kundura’s production history and the social relations within the facility, rather than treating the two separately.