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WOMEN PIONEERS IN CINEMA: ASTA NIELSEN

Asta Nielsen was the greatest actress of the silent film era. She was hugely famous...

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Silent Movies

Powerful storytellıng ıs a source of solıdarıty

Interview with S. Buse Yildirim Kundura Cinema Could you tell us a bit more about...

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KUNDURA HAFIZA CELEBRATES 27 OCTOBER UNESCO THE WORLD DAY FOR AUDIOVISUAL HERITAGE!

Kundura Memory Project, which launched in 2015 with cooperation of the History Foundation and has...

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KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – INTERVIEW WITH THE DIRECTOR MARIANN LEWINSKY STRAULI BY BERKE GÖL

How did you first come across the footage and photographs from Ella Maillart’s journey to...

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KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – INTERVIEW WITH THE DIRECTOR PAYAL KAPADIA BY FIRAT YUCEL

Two of your films are being screened in Kinoscope and Kundura Sinema’s program called ‘Rüyanın...

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Uncanny Valley

We mostly think of robots as work machines, as efficient and precise executors of tasks....

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‘I am not a robot’ At the uncanny valley

The guest of the online program of Kundura Stage (Kundura Sahne located in Istanbul, at...

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KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – ON ‘OVERSEAS’ WITH THE DIRECTOR SUNG-A YOON

The award-winning documentary "Overseas" by South Korean director and artist Sung-A Yoon, which premiered in...

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KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – ON ‘WOMEN MAKE FILM’ WITH THE DIRECTOR MARK COUSINS

Kundura Cinema’s online screening platform Kundurama published the 14-hour documentary "Women Make Movies: New Road...

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ARTHOUSE AND INTROSPECTION: AN INTERVIEW WITH JACQUELINE LENTZOU

by Scout Tafoya In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...

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LOSING GROUND: LUCRECIA MARTEL’S ZAMA

by Tanner Tafelski Nine long years have elapsed since the release of The Headless Woman (2008), Lucrecia Martel’s...

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KUNDURA CINEMA CELEBRATES THE UNESCO WORLD DAY OF AUDIOVISUAL HERITAGE!

The Brilliant Biograph is now online! Join for free to watch! Running parallel to the...

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CINEMA’S FIRST EPIDEMIC: FROM CONTAGIOUS TWITCHING TO CONVULSIVE LAUGHTER

By Maggie HennefeldThere was no funnier sight gag in early cinema than the catastrophe of epidemic...

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AFRICAN-AMERICAN WOMEN IN THE SILENT FILM INDUSTRY

by Kyna Morgan, Aimee Dixon In the first decades of the twentieth century, five African-American...

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WHY SOME LIKE IT HOT IS THE GREATEST COMEDY EVER MADE

by Nicholas Barber In 1958, Tony Curtis was at a Hollywood party when Billy Wilder...

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