Asta Nielsen was the greatest actress of the silent film era. She was hugely famous...
ENGLISH
Powerful storytellıng ıs a source of solıdarıty
Interview with S. Buse Yildirim Kundura Cinema Could you tell us a bit more about...
KUNDURA HAFIZA CELEBRATES 27 OCTOBER UNESCO THE WORLD DAY FOR AUDIOVISUAL HERITAGE!
Kundura Memory Project, which launched in 2015 with cooperation of the History Foundation and has...
KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – INTERVIEW WITH THE DIRECTOR MARIANN LEWINSKY STRAULI BY BERKE GÖL
How did you first come across the footage and photographs from Ella Maillart’s journey to...
KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – INTERVIEW WITH THE DIRECTOR PAYAL KAPADIA BY FIRAT YUCEL
Two of your films are being screened in Kinoscope and Kundura Sinema’s program called ‘Rüyanın...
Uncanny Valley
We mostly think of robots as work machines, as efficient and precise executors of tasks....
‘I am not a robot’ At the uncanny valley
The guest of the online program of Kundura Stage (Kundura Sahne located in Istanbul, at...
KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – ON ‘OVERSEAS’ WITH THE DIRECTOR SUNG-A YOON
The award-winning documentary "Overseas" by South Korean director and artist Sung-A Yoon, which premiered in...
KUNDURA CINEMA AND ALTYAZI CINEMA MAGAZINE TALKS – ON ‘WOMEN MAKE FILM’ WITH THE DIRECTOR MARK COUSINS
Kundura Cinema’s online screening platform Kundurama published the 14-hour documentary "Women Make Movies: New Road...
ARTHOUSE AND INTROSPECTION: AN INTERVIEW WITH JACQUELINE LENTZOU
by Scout Tafoya In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
LOSING GROUND: LUCRECIA MARTEL’S ZAMA
by Tanner Tafelski Nine long years have elapsed since the release of The Headless Woman (2008), Lucrecia Martel’s...
KUNDURA CINEMA CELEBRATES THE UNESCO WORLD DAY OF AUDIOVISUAL HERITAGE!
The Brilliant Biograph is now online! Join for free to watch! Running parallel to the...
CINEMA’S FIRST EPIDEMIC: FROM CONTAGIOUS TWITCHING TO CONVULSIVE LAUGHTER
By Maggie HennefeldThere was no funnier sight gag in early cinema than the catastrophe of epidemic...
AFRICAN-AMERICAN WOMEN IN THE SILENT FILM INDUSTRY
by Kyna Morgan, Aimee Dixon In the first decades of the twentieth century, five African-American...
WHY SOME LIKE IT HOT IS THE GREATEST COMEDY EVER MADE
by Nicholas Barber In 1958, Tony Curtis was at a Hollywood party when Billy Wilder...